You already know how you’re supposed to play rumba, but it still doesn’t sound quite right.

Forget what you’ve been telling yourself for a second and imagine you’re on Who Wants to Be a Millionaire?, the TV show. Except this version has higher stakes: if you answer wrong, you lose your entire life savings. The million dollar question is: What’s the main reason your rumba doesn’t sound quite right?

A- I don’t practice enough
B- I suck at guitar
C- There might be a better way to practice that I don’t know about

It may be true that you don’t practice much and you suck at guitar (aka you’re a beginner), I don’t know that because I don’t know you. But I’d put my money on option C every single time.

If you feel stuck, it may be time to try something different. Something “new” that pro musicians have been doing forever to multiply the results of their practice.

This is one of the most valuable things I learned at music school, although it wasn’t on the curriculum, believe it or not. I only happened to learn this from a classmate who learned it from his teacher (who happens to be one of the best flamenco-jazz drummers out there).

It’s a simple practice system based on a common sense principle that you’ve probably heard before, but most people don’t know how to actually apply it in their practice sessions.

That principle is “divide & conquer”. Think of it as building your playing brick by brick. The interesting part, though, is knowing how to use it when you’re practicing rumba. Otherwise it’s pretty much useless.

As it turns out, the system is so simple that even someone like me, whose practice sessions used to look like random mad scientist bullshit, can effortlessly stick with it. I stuck with it because it works. And it works precisely because it’s simple.

So if you’re wondering if this system is for you, I’d say unless you’re a professional musician who’s already happy with their practice method, then yes. You’ll get a lot more out of the time you spend practicing, whether you’re a complete beginner or you’ve been playing for years.

It’s especially useful if, like me, you need to do lots of other things aside from practicing guitar and you’re not a Tolkien elf with a 4 digit life expectancy.

This system is one of the things that I teach in this course. It could be the only one, because that’s how useful it is, but there are other interesting things in there that I’ll tell you about in a moment.

Now I don’t just teach you the practice system, I show you how to apply it to rumba step by step in a practice-with-me format. So you can experience for yourself what effective practice looks like, without worrying about whether you’re doing it right or not.

Of course, once you’ve learned this system, you’ll be able to use the same approach for anything else you want to learn on the guitar. But the course itself is entirely focused on flamenco rumba.

Additionally, here’s what you’ll find inside:

(Hit play)